RESTORING THE SACRED . . . Why The Church Needs The Dies Irae In Her Funeral Liturgy
Each November, the Church spends the final month of the liturgical year remembering in a particularly intense manner the souls of the faithful departed. With nature itself going into a deathlike state in late autumn, this time of remembering to pray for the dead likewise reminds us to remember our own mortality. A “Restoring the Sacred” column several years ago explored the rich theological content of the Requiem Mass in the Traditional Latin liturgy. It seems an opportune time to return to this subject in order to take a closer look at one of the musical texts of this centuries-old liturgy, the sequence Dies Irae, and to question frankly why it was expelled by the formulators of the reformed liturgy. Recently, I was looking through a book from 1990 that was published to serve as a pastoral guide to the current funeral rites of the Church. I was particularly interested to see what the author had to offer in the chapters concerning the history of